The Death
of the Grown-Up
A Review
The subtitle of Diana WestÕs 2007 book, The Death of the Grown-Up, is How AmericaÕs Arrested Development Is Bringing
Down Western Civilization. Having
finally gotten around to reading it, in preparation for reading her more
celebrated 2013 American Betrayal: The
Secret Assault on Our NationÕs Character, I am of the opinion that people
like Ms. West show by their work how American journalism has been brought down.
Diana West is a mainstream American journalist
through and through, and that really tells you pretty much everything you need
to know about her book. She
apparently started off very near the top of her profession, that is, for one
playing the role of social conservative, by writing as a columnist for The Washington Times. Her big qualification for the job
was that she had a degree in English from Yale University.
Having read that newspaper off and on since its
inception in 1982 and its much bigger rival The
Washington Post more regularly over the same time period I can say with
some confidence that the main purpose of The
Times is to propagandize people of a conservative bent, and the purpose of The Post is to propagandize those of a
liberal bent. Each newspaper,
having won the confidence of its readers that they are among friends who think
like they do, then proceeds to abuse that friendship by nudging them towards the
newspaperÕs approved positions. On
the major issues such as explaining political assassinations and false flags
like 9/11—alternative explanations of which each routinely denounces as
so much Òconspiracy theoryÓ—and unquestioned support for the Zionist
state of Israel and all wars that the United States might fight on that little
countryÕs behalf, the approved position for each is the same.
These two newspapers generally represent
AmericaÕs mainstream media, the people who have employed Ms. West for her
entire professional life. Her work
and her opinions have appeared primarily, but not exclusively, in those that
take a conservative posture, and consumers of those conservative media are the
obvious target audience for The Death of
the Grown-Up. Just as
obviously, the purpose of the book is to sway that target audience toward
identification with the state of Israel, which the
reader is to gather represents a fine example of ÒWestern Civilization,Ó
beleaguered by the dark forces of Islam.
We, too—meaning we Americans—are supposedly also under siege
by those Muslims, who, if they only could gain the power would treat us just as
badly as the Israelis treat the Palestinians, although she would never put it
in those terms.
To reinforce the Òus vs. themÓ impression, she
repeatedly uses the expression ÒJudeo-ChristianÓ to refer to the tradition that
stands behind Òus.Ó She uses it
almost as much as she uses the new psychologistÕs buzzword, Òbehaviors,Ó which
is about as pleasant to me as the scraping of a spoon on the bottom of a rough
iron pot.
To drag the reader along on the intended
ideological course takes some real doing.
ItÕs not immediately obvious what the breakdown in the United States of
traditional morality and traditional society generally has to do with the supposed
world Muslim menace. Here is the bridge paragraph in chapter 7 of the 9-chapter
book:
Openness and acceptance on every
and any level—from personal to national, from sexual to
religious—are the highest possible virtues of the postmodern
Westerner. This makes boundaries
and taboos, limits and definitions—anything that closes the door on
anything else—the lowest possible sins. Judgment, no matter how judicious, is
tarred as ÒprejudiceÓ and, therefore, a neobarbarous
act to be repressed and ultimately suspended. Patriotism has been caricatured out of polite
society as boorish warmongering.
The overall effect has been to sap the cultureÕs confidence in its own
traditions, even—especially—in the classical liberal tradition that
stiffened our spines against Hitler (ever the ultimate evil ed.) in the first
place. The cultural anemia that
began to take hold long ago has passively accepted the transformation of
America the Western into America the Multicultural (and Western Europe into
Multicultural Europe) as a good, or necessary, or even just inevitable
thing. And thus—with the practical
disappearance of the nation, or, perhaps better, the culture, that defeated him—HitlerÕs revenge.
So the tenuous connecting link between moral and
social breakdown in America and the worldwide Muslim menace—but
particularly its menace to Israel, as we will see—is the liberal
celebration of multiculturalism.
Well hereÕs a hard, patriotic very politically
incorrect judgment concerning AmericaÕs Òarrested developmentÓ of the sort that
West would not approve. The primary
responsibility for the decline of moral standards in the country that she so much
decries lies precisely with the group who are intended
to be the biggest beneficiaries of the message of her book, that is to say, the
Jews. In light of that fact, it
really takes a lot of chutzpah to
write the sort of book that West has written, marshaling support for Zionism.
To West, the rise of youthful libertinism and
the decline of responsible adult standards just sort of happened, although she
does assign some responsibility to Hollywood, the record industry, the
television industry and particularly the cable network MTV, and to individuals
like the comedian Lenny Bruce and the political radical Mark Rudd.
We get an early notion of WestÕs game when she
talks about how television programs began to idealize the peer group who seemed
to be stuck in a state of perpetual adolescence, as opposed to the traditional
family. What better example of the
genre could one put forward than the wildly popular, very influential situation
comedy Seinfeld? But that wouldnÕt do. ItÕs too obviously Jewish. So the less popular Friends is the example she uses. Furthermore, nowhere does West even so
much as hint that all those organizations named as responsible for the social
breakdown happen to be Jewish owned and run.
Her take on Rudd, the leader of the violent
student upheaval that shut down Columbia University for a period is
particularly interesting and revealing:
In [their] bid for Òauthenticity,Ó civility and
decency, too, were quick casualties.
Not for nothing, as noted by Diana Trilling at Columbia in 1968, did a
filthy stream of public profanity rush through the various student
upheavals. Indeed, the most
memorable words of the movement are four-letter ones.
It was not alone President Kirk who was
addressed as a motherf------, Vice-President Truman
was a motherf-----, Acting Dean Coleman was a motherf-----, the police were—naturally—motherf-----, any disapproved member
of the faculty was a motherf-----. RuddÕs response to the mediating efforts
was Òbull----.ÓÉAt a tense moment on the steps of Low Library a Barnard
girl-demonstrator jumped up and down in front of the faculty line—the
faculty were wearing their white armbands of peace—compulsively shouting,
ÒShit, shit, shit, shit.Ó
Small wonder, as Trilling also noted, one
pun-prone professor dubbed the student revolutionaries, ÒAlma Materf-----sÓ
Oddly enough, these cataracts of obscenity were
barely mentioned in the press, if at all, no doubt out of reflexive
consideration for middle-class sensibilities. But, as Diana Trilling wrote, this
phenomenon was Ònot of the gutter.Ó
It was out of the mouths of babes from the middle class, and, as it
turned out, few of their middle-class parents were willing to wash out the
little darlingsÕ mouths with soap.
ÒOne discovered that a decent proportion of the decent American
middle-class mothers and fathers of these young people, as well as other
energetic spokesmen for progress, supported their offspring,Ó she wrote. Among the proud parents were the Rudds, with Mama Rudd giving Òthe proudest and tenderest interview to the Times about how her son the-rebel planted tulips in their suburban
garden.Ó Up
against the garden wall, motherf-----, and all that. Indeed, roughly two hundred other
mothers and fathers joined a Committee of Concerned Columbia Parents Òto back
their children and further harry the administration.Ó Strange conspiracy,
indeed.
One would never guess it from his name or from
his Wikipedia page, except maybe from the fact that his Army officer fatherÕs
first name was ÒJacob,Ó but Rudd is quite thoroughly Jewish. This is from RuddÕs revealing online
essay, ÒWhy Were There So Many
Jews in the SDS? (Or, the Ordeal of Civility)Ó:
My
father, Jacob S. Rudd, born Jacov Shmuel
Rudnitsky in Stanislower,
Poland, immigrated to the United States in 1917, when he was nine years old. My
mother, Bertha Rudd, was born Bertha Bass, in Elizabeth, New Jersey, in 1912,
the year after her parents immigrated from Lithuania, the only child of the
family born in this country. My family was part of the great wave of Eastern
European Jewish immigration which lasted from 1880 to
about 1920.
Both my parents were raised in Elizabeth, N.J.,
speaking Yiddish at home and English outside the house.
---
I invoke [Philip] Roth to let you in on the
insularity of the world I grew up in. My family carried the Jewish ghettos of
Newark and Elizabeth with them to the suburbs. We may have lived in integrated
neighborhoods, that is integrated with goyim (there were only a few blacks in
the town) and we may have gone to integrated schools, (of course there were no
blacks in my elementary school) but we were far from assimilated, if that means
replacing a Jewish identity with an American one. At about the age of nine or
ten I remember eating lunch at the house of a non-Jewish friend and reporting
back that the hamburgers had onion and parsley in them. ÒOh, thatÕs goyish hamburger,Ó my mother said. I lived a Philip Roth
existence in which the distinction between Jews and gentiles was present in all
things: having dogs and cats was goyish, for example,
as was a church-sponsored hay-ride which I was invited to by the cute
red-haired girl who sat in front of me in my seventh grade home-room. My
parents didnÕt allow me to go, and, since repression breeds
resistance, that was probably a signal event in my career of fascination with shiksas and things goyish, a
career which paralleled that of young Alexander Portnoy
in ÒPortnoyÕs Complaint.Ó
This does not sound exactly like the typical
middle class American of my generation, antiwar or otherwise. We were not likely to have been told
these things about Rudd by Diana Rubin Trilling or even by her
Columbia-professor husband Lionel Mordechai
Trilling,
both about as Jewish as it gets, in spite of that very WASP-sounding last name.
In contrast with the coy Ms. West, who is apparently
Jewish herself but doesnÕt seem to be identified as such in any of the
promotional literature that I can find about her, E. Michael Jones veritably wears his
Roman Catholicism on his sleeve.
Anyone wanting a better understanding of the phenomena that West
describes in the first two thirds of her book with considerable verve but with
little in-depth explanation would be much better served reading JonesÕs Libido Dominandi: Sexual
Liberation and Political Control. If
you lack the time to read the entire book, A.J. MacDonald, Jr.Õs
web site
gives you a pretty good flavor of what is in it. Particularly recommended is the long
interview of Jones there in which you hear Jones say that the 20th
Century battle over pornography in the country was basically a war between the
Jews and the Catholics, and the Jews won.
Jones also publishes a monthly magazine called Culture
Wars. West would never mention him or his
work, but one canÕt help thinking that Jones was her inspiration for the title
of Chapter 8, ÒThe Real Culture War.Ó
To West, of course, the ÒrealÓ war is between ÒusÓ with our
Judeo-Christian culture and Òthem,Ó those frightful Muslims who threaten
us.
If you are a regular reader and believer of
newspaper columns by, say, Charles Krauthammer or magazines like the Weekly Standard or web sites like FrontPage Magazine, you hardly need to
read further because you have heard all of her attacks on Islam before. You might, though, take the opportunity
to get your prejudices reinforced by reading her references to the works of the
likes of Daniel Pipes, Robert Spencer, David Littman, and Bernard Lewis. If anyone has ever had
anything bad to say about Islam, West seems to have found him. One may think of her as the somewhat
more respectable version of Pamela Geller, who is a bit too gauche and notorious
to be referenced by West.
Israel and the U.S. Under Siege
Here we see in Chapter 9 West making a typical attempt
to tie the Islamic threat to Òus,Ó Israel and the United States, of course,
together:
And so the besieged victim pretends: Daddy
doesnÕt really want to hurt me; if IÕm a better girl, heÕll stop. Israel pretends: Muslims donÕt really
want to destroy us, and so weÕll give them land for peace. Jews in pre-Nazi Europe pretended: The
anti-Semites are really right; we deserve a pogrom. Intriguingly, [Kenneth] Levin writes, ÒBut the bookÕs themes
have a still broader relevance.
Even ostensibly powerful and secure populations, under conditions that
entail ongoing threat and vulnerability, can manifest similar trends.Ó
Ongoing threat and vulnerability, huh? That certainly sounds like the American
condition after 9/11. Our superpowerful condition may not compare with tiny IsraelÕs;
nonetheless, color-coded terror alerts are practically part of our daily
weather report, security procedures have become routine, and open access
everywhere has been slammed shut for the duration. This has placed our population
effectively under siege. And donÕt
forget the toll of the culture wars.
Those raging battles, which have severed, or at least weakened, the
connection between Òdead, white malesÓ and Òliberty and justice for all,Ó among
other things, have undermined American confidence and purpose. While similarities between the
demonization of Jews in the Diaspora, say, and the demonization of the American
white males (dead or alive) are necessarily quite limited, there nonetheless
remains a way in which the American male specifically, and the American adult
in general, has been subjected to a cultural form of the chronic abuse that
Levin pinpoints as a cause of siege mentality. And it is that siege mentality, he
writes, that leads to delusional thinking.
As you see, it really requires some rhetorical
gymnastics, in light of all the death and destruction that the Zionists and the
United States government have wrought upon the people of the Middle East, to
turn the Israelis and the Americans into the victims.
The U.S. siege mentality and much of the Muslim
vilification of the final third of the book depends heavily upon the veracity
of the official version of the 9/11 and West invokes it repeatedly and
extensively. In the index under
ÒSeptember 11 attacks,Ó are listed the pages 149-50, 152-55, 161-66, 189-91,
and 192. At one point she even blames the closing of Pennsylvania Avenue on the Muslim threat,
when, in fact, it was closed in the wake of the Murrah
Building bombing in Oklahoma City, no doubt to reinforce the official story
about Òmilitia man Timothy
McVeighÓ and his lethal petroleum and fertilizer bomb. She also invokes likely European false
flags like the 7/7 bombings in London.
You can be certain that you will never hear anything
from West about the failed false flag attack in 1967 on the USS Liberty by Israeli fighter planes and assault
boats that left 34 dead and 174 wounded.
Nor will you hear about the likely assassination by Zionists of the
leading opponent of U.S. recognition and support for the state of Israel, James
Forrestal, or of the letter bombs that Zionist extremists
sent to the White House in 1947 in an attempt on the life of President Harry
Truman. Least likely of all is that
West would breathe a word about the strong evidence that Israel itself was
behind the events of 9/11.
I think of myself as a social conservative, but
my prior knowledge had pretty well inoculated me against the bait-and-switch
tactics that West employs in her little propaganda tome. One example of that inoculation was on
display in a short poem that I posted on my web site in 2000:
I remember all too well
The USS Liberty,
So when I think of Israel,
It is not in terms of Òwe.Ó
CIA Girl?
The
Jews are not the only people that West provides cover and carries water
for. Predictably, one of her villains in her story of our cultural
undoing is LSD guru, Timothy Leary. Of course, she presents him
completely as the media have presented him, at face value. But, ÒFunds
and drugs for LearyÕs research came from the CIA,Ó we are told by former Leary
devotee, Henry Makow, in ÒThe CIA,
Drugs, & Culture Control.Ó
That
raises the question of how much of the negative turn in popular music that Don
McLean captures in Miss American Pie might have been directed by a
hidden hand. An Internet search of ÒCIA rock and rollÓ turns up some
interesting answers. We can find a good short summary at ÒCIA Social
Control Through Sex, Drugs, and RockÕn Roll.Ó Indeed, West
paints with much too broad a brush in her blanket indictment of the corrupting
influence of that music genre, ignoring the early classics captured so well recently by the Korean
cover group the Barberettes and by the Doo Wop retrospectives one can find on YouTube.
But
why would West cover up for the CIA? ItÕs the Yale connection, of course. My
guess is that she and Jared
Taylor
know a lot of the same people, and itÕs not through the classroom that they
know them.
David
Martin
September
7, 2015
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